Yulia Peresild has told about uneasy relations with the producers


Юлия Пересильд рассказала о непростых отношениях с продюсерами
A Frank interview the actress, nominated for the prestigious prize APKIT.

Юлия Пересильд рассказала о непростых отношениях с продюсерами

Yulia Peresild in the movie “Battle for Sevastopol”

Photo: still from the film

Tomorrow night at the 5th ceremony of the Professional
prize of the Association of producers of film and television in the field of television movie
call the names of the winners in 18 categories. The absolute leader in the number
nominations — TV version of the movie “Battle for Sevastopol”. This project
declared once in 12 nominations. For the title of best actress of television
film/series and pretend the female lead in the film “Battle for
Sevastopol” Yulia Peresild that tries to explain the phenomenon of this
project.

Julia often say that modern cinema in Russia
producer rather than author. This is a plus or a minus?

— I will say this, a decent percentage of producers is very small. Not
secret that the producers are very often dictate the rules. And
I can’t call it a plus. Well, when a producer becomes a man
which is the phase from the sharer, and projects run by people who understand
process inside and listen to the Directors. It seems to me that when
a match occurs, the result speaks for itself: movies are a success and have
viewers and critics. I personally always difficult relations with
producers, I love to argue with them. That’s probably why I never
was nominated for APKIT (laughs). My contact in the “Battle for
Sevastopol”, by the way, also was not so simple, the producers were
doubt I fit the role of sniper Lyudmila Pavlichenko, but Director Sergei Mokritsky
managed to convince them.

— The film after all coincided with your second pregnancy?

— Since the production
picture lasted for three years, during which time, in theory, could give birth to three.
So I do not think that my pregnancy and the shooting of the project are somehow connected to each
a. It was a parallel event of great importance to me individually. We
it’s so easy to tell about the filming as an adventure, although it was a Titanic
work. Our every day was “contrary to” because in this moment happened
the tipping point between Russia and Ukraine, and in fact this is a joint project of the two countries.
Great wisdom and producers, and the Director that the picture is basically held.
And when “Battle for Sevastopol” took the audience, it became the most light
happy that all efforts are not in vain. Not coincidentally, our picture for the third year
receives prizes and is nominated for the prestigious award.

Юлия Пересильд рассказала о непростых отношениях с продюсерами

Yulia Peresild

Photo: 7D

Юлия Пересильд рассказала о непростых отношениях с продюсерами

Yulia Peresild in the movie “Battle for Sevastopol”

Photo: still from the film

— In the film there is a scene when your character delivers a speech
in the English language. You are so proficient in foreign languages?

— I must confess that I did not know English at all, ever
it is not studied. I freely communicate in German. I would say more, to work can
the principle to play for Azerbaijani, Chinese, Japanese, any other languages.
The main thing – to understand what was going on. I had time to prepare. On
during the year we met with Sergey Mokritskiy, talked, read books.
Preparing for the filming actively, but slowly. This is what is so often lacking
our cinema. If we talk about the production relationship, problem
often in the absence of a preparatory period. I still have the script
“Battle for Sevastopol” as the best example of how it should be. There until the tenth
fractions of a second painted the whole process, and this means that until you exit the frame
the actors, the whole team has done a powerful work. Because they had
time, which is so often lacking.

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    Battle for Sevastopol

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    7.50

    Edge

    Юлия Пересильд рассказала о непростых отношениях с продюсерами

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    The prisoner

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    Yulia Peresild

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