Марина Александрова сменила имидж
The actress tried on the image of the Parisian woman of the 70-ies.

Марина Александрова сменила имидж

Marina Aleksandrova

Photo: Yury Feklistov

Marina Aleksandrova tried on the image of Parisian women 70 years: “Now I go with rack and Bang to brow — a La French movie star Anouk aimée. I do love the similar retrouvez — they’re so feminine…” a New image Alexandrov tried, acting in a detective series on channel one “Satan” — the sequel to the popular films “Mosgaz”, “Executioner”, “Spider” and “the Jackal”. In the film employees of Moore (the heroes of Alexandrova and Andrei Smolyakov) re-investigate a mysterious murder. The matter is complicated by the fact that they have to find not just the killer, but the elusive spy for the West. “In the second season I’m a little… bored — smiles Alexandrov. — Because, unlike criminals, the investigators have a pretty regular, boring life. I even asked the writers to kill my Sonia! They, of course, did not, but came up with for my heroine a very interesting twist of fate.”

Марина Александрова сменила имидж

Beautiful Victoria Isakov will appear in an unexpected way, a humble laboratory assistant

Photo: Yury Feklistov

Марина Александрова сменила имидж

The hero Yuri Chursina, as in the previous parts, is a talented and unknown artist

Photo: Yury Feklistov

The events of the new series revolves around a Soviet ballistic missiles, which the U.S. military called “Satan” and the secret which gave them one of the characters in the movie. By the way, the film is the true story of the Soviet scientist-traitor. “When I watched the previous installment of this “Saga”, and didn’t think I would be invited to remove its continuation, — said the film Director Yuri Moroz. In our series will change the era fashion, as the new detective story takes place several years after the end of the previous cases in 1976. Fans of the series will see a long time favorite characters, and brand new. They will play Igor Gordin, Vladimir Ilyin, Sergei Koltakov, Larisa Udovichenko”.

Марина Александрова сменила имидж

The era of the ‘ 70s it is impossible to imagine without Lada-“penny”. Aleksey Bardukov and Andrey Smolyakov

Photo: Anya Mitrokhin/First channel

For the first time in the series, and directed by wife Victoria Isakova. Her character — a humble lab of the research Institute in strict glasses and unchanged white coat. “I made a wick completely different, which it has never seen a spectator — recognized frost. — By the way, at first, myself, and producer Denis Evstigneev did not hear whether the dissonance this unusual way. But after the first scene with her, it became clear that Victoria was absolutely in its place — all rolled into one!”

Марина Александрова сменила имидж

Artists painting accurately recreated the fashion of the mid-70s. Larisa Udovichenko and Sophia Evstigneev

Photo: Yury Feklistov

The authors of the picture was difficult to recreate the era of the 1970s. Today to find in Moscow interior with no signs of renovation with old furniture, Windows and doors is incredibly difficult. “Lettered”, i.e. classified, scientific research Institute were shot in a real Institute of electronic technology in Zelenograd, which has preserved the atmosphere of the Soviet era. The interiors of the Moore’s found on the Avenue of the World — in an office building whose owners intact preserved the spirit of the Soviet time (by the way, this room has already removed dozens of films). And Studio of artist Stas (Yuri Chursin) was shot in a real “resident” of one of the painter on the embankment of the Yauza.

Марина Александрова сменила имидж

A couple of investigators Moore Marina Alexandrova and Andrei Smolyakov

Photo: INSTAGRAM

Sofya Evstigneeva (granddaughter of the legendary Eugene Evstigneeva) plays a beloved artist

Photo: Yury Feklistov

In the room only added more paintings, which did a gorgeous selfie is another new character in the performance of Eugene Evstigneeva granddaughter of Sophia. And yet the film-makers were invited to participate in the work and of the artist to close up to remove his hands until he makes the outline of the picture. “We have a very complex stunt scene with a burning car and falling into the river, but now we are not easy, — says frost. — First, cold, we are constantly freezing. Secondly, daylight is in winter is short…” because of the snow the group had to clear the snow, to hire tractors and special auto: without this machine the crew could not drive to the correct entrance. Sometimes, to speed up the process, the Director himself took a shovel in hand.