The actress told why on the set after the haircut to keep her hair.
Lora Reznikov in the series “Witnesses”
Photo: Courtesy L. Reznikova
Rubber Laura spoke about her work in the series “Witnesses”,
which now goes on NTV: “it was hard to rebuild with such light,
air like champagne, the heroine Milena from “Fifth guards”, on a strict like
black coffee Margarita Konecky. Repainted hair and short hair was
only the first step towards imaging… helped Me a lot to communicate with
representatives of special services: I plunged into another world, the world of real and
very serious women. I do a lot of “removed” in their behavior: how they communicate with
people, as always, scanning him — not on purpose, but on autopilot.
Lora Reznikov in the series “Witnesses”
Photo: Courtesy L. Reznikova
Shooting “Witnesses”
was in Moscow (the heroine Coeeco found in an expensive
residential loft) and in the suburbs — the near and the far, for example, the abandoned quarries.
Series, where Ceecca chasing a criminal on a bike, filmed on
The Leningrad highway, near the district of Khimki. And the episode with the sixth shot in the
the existing nightclub. Part of the club “standard”: podium, pole,
velvet seats, stage. And next — pretentious Banquet hall, where both
we were walking real Azeri wedding…
Lora Reznikov in the series “Witnesses”
Photo: Courtesy L. Reznikova
I was very lucky with the Directors at the site that were open to
cooperation. Sometimes I offered something different. So, my Koretsky in the script is very
a lot of crying. And it seemed to me that a woman-a psychologist needs a little differently
to Express emotions. In one episode, I was invited to play like a Margarita
the last forces holding back the tears that will be even more emotional, stronger and
worse.
A lot of interesting born on the court with Nikolai Serdtseva, my
the main partner. Sometimes both understood that you can change the text, called
the editor agreed, convinced. The writers we have are beautiful, and if you
arguing, they made concessions.
It was exciting to shoot a scene with a pole. Doing a series is one of my favorites
Directors Ilya Shekhovtsov, who is very thorough in the preparation of
shooting. He asked me to give different emotions: can’t Koretsky, Koretsky
shy, saying “I think about saving the world, and I do not understand anything make
to do.” I love stage performances. But on this day, entering the frame presented,
wherever I was now uncomfortable and even unpleasant to be — to maximize
truly play. And not just because my character stumbles on high heels
is rehearsed episode. The feet are tucked in these moments, and
Director and cameraman happily they were caught! In the end, we came up with the following: although Margarita
growing is not for such dances, when she begins to speak, in
dance is starting to catch a buzz and it all turns out.
Lora Reznikov in the series “Witnesses”
Photo: Courtesy L. Reznikova
Since this character is far from me, I worked on them carefully.
Haircut, hair coloring — in short, all the details were discussed with the Director of the first
series by Igor Tverdokhlebov, with the writer, make-up artist. By the way, after
me cut, the makeup artist took shorn hair and they tried
paint to save my hair! And the first costume for my heroine my
a friend who runs the Atelier: the artist brought the sketches, I also made
my bit. Find the same clothes in stores for the psychologist-the police have failed.
Lora Reznikov in the series “Witnesses”
Photo: Courtesy L. Reznikova
And when we shot the scene of the arrests, Yuri Kharnas had the idea that
Margarita in these moments needs to look like Lara Croft! This image of the heroine was
me so close that I used it for myself, taking things for photo shoots
in magazines! Then I “played”…
The movie, I met the champion of Russia in acrobatics Nina
Deisadze, which was my understudy. Nina is similar to me in physique, only shorter and thinner.
costumers, because under the clothes “Konecki” in which case the plant protection
for the execution of the stunts. On the set we were fighting for queue: Nina
— technically, I’m an actor right. But still physical load on the set
I had a lot. My heroine in the midst of a fight drops the rack. I effectively fell
on the Mat, I laid the rack. A week later I noticed that I formed
magnificent biceps in the gym specifically to seek!
However, the most physically
complex scenes still performed by stunt men. Nina climbed on the fire
the stairs, “drenched” villains in fights, bike raced in Moscow, crossing
parks, gardens and squares. And even with overclocking raced down the stairs of the underground
jump! I last rode a bike 10 years ago. But
used that I am physically fit, athletic, dancing, stretching,
the Director decided: Reznikova with the great cope! Like “bike to unlearn
it is impossible to ride”? But quietly, to drive is one thing. But on speed
to enter borders in just one day will not learn… Especially I was afraid to slow down
before going into the underpass. But I still did it, and jumped on
the bike in the underpass gorgeous Nina! By the way, it is somewhat
times invited me to go to do tricks, but I haven’t found time for this.
Now, however, I started to love martial arts. And now watch with interest
fights in the movie, although I didn’t love them.
And in “Witnesses” I had wonderful partners. Nicholas Serdcem we met on
samples. We put it together, with different partners. After such a long
casting we became almost like brother and sister! And my most “frequent” partner — Artem
Fedotov, a man with a capital letter. He always visited the site before everyone else,
a kind word Wake the girls makeup, which had only 4 hours sleep and
they … bloomed! Along with a prop he was always wrapped the crime scene
tape ACS, although it is not his job. Overall, a wonderful, warm person, guy.
One day in the midst of filming I burst into tears — from exhaustion. And Tom reassured me,
said some nice words, and then words are strong — probably not
a pleasant, but strong. And I Packed up and again at 100!
Lora Reznikov in the series “Witnesses”
Photo: Courtesy L. Reznikova
And tired I much. And not just physically. After all, one day at
my heroine happened to 10 pages of text. Although when you work on a
a project with a large amount of text, the brain adapts. It’s like
theatre: learn the role, every day to repeat it, and the brain understands it seriously and
for a long time, it is necessary to keep the text! Now I Wake up and I “give” all their
theatrical role! In the series we get the dialogues the day before the shooting. Not immediately,
but gradually, the brain takes this format and starts working like a computer,
where is the hard drive and folder short-term memory. There were times when
need to re-shoot the scene and I say: “You remember the text by heart?” And I say:
“No, send again, the brain throws out the information on the second day…”